Writer/director Rian Johnson is officially 3 for 3 with his Knives Out mysteries, as Wake Up Dead Man becomes the latest addition to the wonderful whodunnit cinematic collection. The brilliant and suave gumshoe Benoit Blanc (Daniel Craig) is back on the case again, traveling to a Catholic church in upstate New York, where its fiery leader Monsignor Jefferson Wicks (Josh Brolin) is found fatally stabbed in the storage closet. As police begin to investigate, the young Reverend Jud Duplenticy (Josh O’Connor), recently transferred to Our Lady Of Perpetual Fortitude due to a physical altercation, initially becomes the primary suspect. But police chief Geraldine Scott (Mila Kunis) has a hunch that this murder isn’t as simple as it seems and once Blanc arrives, he agrees there are many more factors that make this crime anything but open-and-shut.
In addition to Jud, Blanc proverbially makes his way up and down the pews to investigate core members of the church with which Wicks spent the most amount of his time. Among them are the town doctor Nat Sharp (Jeremy Renner), the lawyer Vera Draven, Esq. (Kerry Washington) and her politician son Cy (Daryl McCormack), concert cellist Simone Vivane (Cailee Spaeny) and prolific author Lee Ross (Andrew Scott). There are also those employed at Our Lady Of Perpetual Fortitude, including Wicks’ right-hand woman Martha Delacroix (Glenn Close) and groundskeeper Samson Holt (Thomas Haden Church). All seem to have been accounted for in the congregation during the Good Friday service when Msgr. Wicks is discovered with a knife in his back but no one’s alibi is as airtight as it seems.
As with 2019’s Knives Out and 2022’s Glass Onion, Wake Up Dead Man uses its twisty narrative and beguiling mystery to explore themes of division and polarization that have seemed to define our current era. In this chapter, Johnson investigates faith, religion and what passes for being considered a “good person” in the year of our Lord 2025. A former boxer with a checkered path to penitence, Rev. Jud seems like an obvious choice upon whom to pin the murder of the monsignor but it doesn’t take many flashbacks to see that Wicks didn’t have trouble making enemies. From a literal bully pulpit, he would tailor homilies to specifically call out newer members he suspected of trying to “poison the flock” merely with their presence. Johnson ties this brand of public shaming to the daily digital pile-ons that occur on social media and argues that whether it’s under a cassock or behind a keyboard, it’s easier to dish it than it is to take it.
These films routinely benefit from a bevy of acting talent and the ensemble this time around is aces as always. Daniel Craig is absent for the majority of the first act, allowing Josh O’Connor to cement himself as the film’s lead as Ana De Armas and Janelle Monáe did in the previous two Knives Out installments. Despite Jud’s position in the church, he’s still human after all: he lets loose the occasional curse word, he has a temper that he works hard to keep at bay and he isn’t above casting judgments of his own. But despite this, it’s clear that the reverend is honorable and his empathy for others is anything but performative. With his stellar breakout in Challengers last year and lead roles in three indies outside of Wake Up Dead Man in 2025, O’Connor should be well on his way to becoming a household name.
Rian Johnson once again spins up a superlative script full of playful misdirects, convincing red herrings and testy exchanges that make for whodunnits that you can revisit numerous times even after you know, well, who done it. Teaming again with cinematographer Steve Yedlin and editor Bob Ducsay, Johnson crafts a puzzle box that is slick in its execution and inviting in its aesthetic without broadcasting how proud it is of itself. He’s as consistent as ever with the branding of his franchise too, once again adopting a title from a rock song that cheekily applies to the narrative too. I also appreciate that Johnson has considered the seasonality of these movies too; the sweater weather autumnal Knives Out and suns-out-guns-out summer flare of Glass Onion find a companion in the promise of redemption and spring awakening of Wake Up Dead Man. Whether it’s on Netflix or through another studio, my hope is that Johnson has one more winter-set Knives Out mystery in him.
Score – 4.5/5
More new movies coming this weekend:
Opening in theaters is Ella McCay, a political dramedy starring Emma Mackey and Jamie Lee Curtis, following an idealistic lieutenant governor who juggles familial issues and a challenging work life while preparing to take over her mentor’s gubernatorial position.
Also coming to theaters is Silent Night, Deadly Night, a slasher remake starring Rohan Campbell and Ruby Modine, involving a Santa-costumed killer who embarks on a violent quest for retribution against those responsible for a traumatic event from his childhood.
Streaming on Amazon Prime is Merv, a romantic comedy starring Charlie Cox and Zooey Deschanel, which finds an estranged couple awkwardly reconciling over the holidays when they learn that the dog they share is suffering from depression following their break-up.
Reprinted by permission of Whatzup