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Column

2018 Christmas Weekend Preview

It’s the most wonderful time of the year and if you’re not in the holiday spirit yet, Hollywood has you covered. Here are 5 major releases coming to theaters this upcoming holiday weekend:

Mary Poppins Returns, starring Emily Blunt and Lin-Manuel Miranda, is a direct sequel to the classic 1964 musical which finds the merry and mystical nanny reuniting with two of the children from the original, now grown with children of their own. Filling the shoes of a screen icon like Julie Andrews is no easy feat but it looks like Blunt may be a perfect fit to recapture the charm and whimsy that Andrews brought to the role all those years ago. The trailers so far have teased images that harken back to the hand-drawn animation from Disney’s heyday and with original music from Tony-winning composer Marc Shaiman, this film could be quite a delight. Expect it to clean up at the box office when it opens early on December 19th.

Aquaman, starring Jason Momoa and Amber Heard, is the latest installment in the DC Extended Universe which follows the titular superhero as he leads the people of Atlantis against the evil sea creature Orm. With last year’s Wonder Woman and Justice League representing the best and worst of what can be found in this Universe, Aquaman seems like it could wind up in between the two. I can’t say I’m a big fan of this version of Aquaman based on his two previous appearances but the digital effects in this entry at least seem markedly less murky than other recent DC films. This movie has already done almost $100 million in business since its opening in China and with early screenings already trickling out around the US, all signs point to this being another massively successful superhero stint for Warner Brothers.

Bumblebee, starring Hailee Steinfeld and John Cena, is a spin-off of the Transformers franchise (technically a prequel to the first film in the series) that focuses on the origin of the titular yellow robot. Set in the late 1980s, there’s a good chance this film will lean into pop cultural touchstones from the era to add a bit of personality to the sci-fi action thrills. It’s a bit odd to have a big budget blockbuster like this open in the heart of awards season, especially since the past four Transformers films have opened in June, but I doubt this will affect its financial success overall. With two likeable leads at its center and Kubo and the Two Strings director Travis Knight replacing Michael Bay in the director’s chair, there’s a good chance this could be a critical success in addition to being a hit at the box office.

Holmes and Watson, starring Will Ferrell and John C. Reilly, is yet another Sherlock Holmes adaptation brought to us by the same goofball team responsible for Step Brothers and Talladega Nights. The surplus of recent Holmes variations have generally played things straight, focusing on the detective’s almost supernatural deduction skills, but it’s clear that the strategy here is to play everything for laughs. I was initially excited for this film when I first caught wind of it but all the promotional material I have seen so far has made me markedly less eager to see what looks to be pretty flimsy fare. I’m sure there are plenty of laughs that could be wrung from the legendary literary figure but with gags involving killer bees and selfies present in the trailer, Sony obviously went with the broad approach with this comedy.

Welcome to Marwen, starring Steve Carell and Leslie Mann, tells the true story of a man desperately trying to reconnect his life after a violent assault leaves him with almost no memory of his previous life. In order to cope with his loss, he constructs a miniature village called Marwen in his backyard populated with dolls that represent his friends and family. Based on the 2010 documentary Marwencol, director Robert Zemeckis looks to blend pathos with technical wizardry together as he did with previous work like The Polar Express and The Walk. Carell has proven that he has the dramatic chops for this kind of material and those looking for an inspiring film around the holidays will likely find what they’re looking for here.

Reprinted by permission of Whatzup

2018 Thanksgiving Weekend Preview

Thanksgiving is upon us and while that often means extra helpings at the dinner table, it also means extra options at the movie theater. Here are 5 big releases that will be out in time for Turkey Day:

Creed II, starring Michael B. Jordan and Sylvester Stallone, is the sequel to 2015’s Creed, which re-booted the Rocky franchise along with being a critical and commercial success. This time around, Creed is training to fight the son of Ivan Drago, the Russian heavyweight who killed Creed’s father in the ring during the events of Rocky IV. Stallone reprises his iconic role once again and is also credited as a co-screenwriter along with Juel Taylor. Steven Caple Jr. steps up to the director’s chair, replacing Ryan Coogler in the wake of his tremendous success with Black Panther. With its name recognition and a built-in audience, look for this one to replicate the financial (and possibly critical) success of its predecessor.

The Front Runner, starring Hugh Jackman and Vera Farmiga, follows the rise and fall of Gary Hart, a senator-turned-presidential hopeful whose political career crumbled after his extramarital affair was uncovered by the press. The true story of the 1988 scandal comes right around election time, although the film could instead be a victim of post-election fatigue. While the reviews have been favorable enough, particularly for Jackman’s performance as Hart, the box office numbers from its limited release have been far from promising ($56,000 in its opening weekend). The movie is directed by Jason Reitman, who has had his share of hits (Juno, Up in the Air) and flops (Labor Day, Men, Women & Children). Hopefully there’s enough left in the marketing budget to give this a push before its wider release.

Green Book, starring Viggo Mortensen and Mahershala Ali, tells the story of Jamaican-American classical pianist Don Shirley and his chauffeur Tony Lip as they tour the Deep South in the 1960s. While the two seem to have nothing in common during the start of their relationship, they begin to bond through shared experiences that erode the racial obstructions of the era. As one half of the Farrelly Brothers (Dumb and Dumber, There’s Something About Mary), Peter Farrelly has typically excelled out gross-out comedies but he’s directing here for the first time on his own and the subject material is quite different than what he’s handled before. Positioned right in the heart of Oscar season, I could see this getting quite a few nominations and I could also see this being a runaway box office success along the lines of last year’s Hidden Figures.

Ralph Breaks the Internet: Wreck-It Ralph 2, starring John C. Reilly and Sarah Silverman, looks to mirror the breakout success of its charming predecessor Wreck-It Ralph back in 2012. This installment follows the titular video game character along with his friend Vanellope as they break out of their arcade machine and find their way onto the World Wide Web. Based on the early advertising for this movie, it seems to rely much more heavily on pop culture references than the first film, integrating characters from loads of Disney properties from Star Wars to The Muppets. This could generate plenty of crossover appeal and translate to even bigger box office numbers than the original film but it could detract from the quality of the narrative if it goes too far with its cross-branding.

Robin Hood, starring Taron Egerton of the Kingsman films, is yet another re-telling of the classic tale of the hero in green who steals from the rich and gives to the poor. The supporting cast includes Jamie Foxx as Robin’s mentor Little John and Ben Mendelsohn as the treacherous Sheriff of Nottingham. With its over-the-top fight choreography, the trailer for the film makes it out to be a cross between last year’s King Arthur: Legend of the Sword and the video game adaptation Assassin’s Creed. Both of those movies performed quite poorly at the box office, at least in the United States, and I could see Robin Hood sharing a similar fate. There have been countless other renditions of this story, including one as recent as Ridley Scott’s from 2010, and there doesn’t seem to be enough in this 2018 entry to distinguish itself from the pack.

Reprinted by permission of Whatzup