Ever the maximalist and never one to simply let a good thing be, director Ridley Scott was destined to reenter the world of Maximus someday. Alas, that time has come and Gladiator II has made its way into theaters across the world. In typical sequel fashion, this follow-up has more of everything: twice the Colosseum-set battle sequences, three times the amount of hushed, lamp-lit conversations about family and fate; heck, there are even two emperors this time around. If Scott and scribe David Scarpa had applied this ethos to the story itself, we’d have quite the swords and sandals epic on our hands but the actual premise here — said another way: a justification for its existence in the first place — never develops much past its initial paces. But like an equipped gladiator, this film does have a couple potent weapons in store and knows how to use them.

Gladiator II finds Rome in a state of unease, under the rule of the corrupt twin emperors Geta (Joseph Quinn) and Caracalla (Fred Hechinger) 16 years after the death of Marcus Aurelius. Desperate for new leadership, the Roman people champion fearless general Marcus Acacius (Pedro Pascal), who has just returned from a conquest over the city of Numidia. During the battle, Numidian warrior Hanno (Paul Mescal) loses his wife and is captured by the Roman army. After being transported to Rome, the enslaved Hanno makes quite the showing in fierce gladiatorial combat and catches the attention of gladiator trainer Macrinus (Denzel Washington). With vengeance on his mind, Hanno plans to rise up the ranks and topple both Acacius and the emperor brothers to return the city to its former glory.

The most immediate challenge Gladiator II faces as a sequel to a universally loved film that won 5 Academy Awards and grossed almost $500 million is in carrying on without the two leads from the original. The towering performances of both Russell Crowe and Joaquin Phoenix in Gladiator are understandably difficult to top and try as they might, Paul Mescal and Pedro Pascal simply don’t leave the indelible impression of their predecessors. Mescal’s wheelhouse is more in low-key work of indies like All Of Us Strangers and Aftersun but as a brooding fighter, he feels miscast and out of his element. Pascal fares some better in his role as a stoic leader but the character isn’t written with nearly the same depth or feeling as Maximus or Commodus from the previous tale.

While Connie Nielsen and Derek Jacobi reprise the roles from the first film, the strongest performances in Gladiator II come courtesy of players entering the arena for the first time. Joseph Quinn brings a more familiar but still palpable menace to his Geta but Fred Hechinger brings an unhinged impudence to Caracalla that makes him the more dynamic spectacle. Speaking of his vision for Rome, he announces, “there will be games…and mass executions!” so flippantly that its casual cruelty is almost endearing. As for the aforementioned games, the fight scenes are enjoyable staged but often marred by CG effects that seem almost instantly dated, particularly in a sequence meant to mirror the Battle Of Salamis. The digitally inserted sharks don’t look great but when two ships collide with one another, the resulting havoc is especially unconvincing.

For a movie about brawny brawlers, it’s apt that one man would carry this film on his back and that man is Denzel Washington. Put bluntly, he is the reason to see Gladiator II and if he was replaced by another actor to play his role as an advisor with aspirations of authority, it would sink the whole project. Introduced shuffling his many-ringed fingers while overseeing combat, Washington is simply having a magnificent time luxuriating in Scott’s larger-than-life version of Rome. You’ve never heard someone enunciate the word “politics” quite the way that Washington does in a memorable moment from the third act. It’s no coincidence that when the narrative shifts its focus towards Macrinus and his ambitions, the movie becomes infinitely more enjoyable. Gladiator II doesn’t quite best its forerunner in the ring but still has enough spectacular to keep us entertained.

Score – 3/5

New movies coming this weekend:
Playing only in theaters is Moana 2, an animated musical sequel starring Auliʻi Cravalho and Dwayne Johnson, following the titular adventurer as she receives an unexpected call from her wayfinding ancestors and must journey to the far seas of Oceania once more.
Streaming on Paramount+ is Dear Santa, a Christmas comedy starring Jack Black and Keegan-Michael Key, about a young boy accidentally mixes up his spelling and sends his Christmas list to Satan instead of Santa.
Premiering on Max is Sweethearts, a romantic comedy starring Kiernan Shipka and Nico Hiraga, involving a pair of college freshmen who try to break up with their high school sweethearts on the same night before Thanksgiving.