Following up his superb screenlife thriller Searching, writer-director Aneesh Chaganty expands his narrative scope with Run, another engaging nail-biter that doesn’t quite match the ingenuity of his debut. By comparison, it’s much more broad in its story beats and campy in its execution but at the end of the day, it delivers enough slick twists and turns in its lean 90-minute runtime to satisfy one’s Fall fright itch. As lopsided as the script can be, the film mainly succeeds on the strength of the performances by the two lead actresses, one who is steeply committed to this genre at this point in her career and another who is new to acting altogether.
We meet Diane (Sarah Paulson) on what should be the happiest day of her life but the critical condition of her premature newborn casts a pall over the delivery room. Flash forward 17 years and she’s adjusted the best that she can to the various health ailments that plague her homeschooled daughter Chloe (Kiera Allen). Wheelchair-bound and asthma-ridden, Chloe is clearly dependent on her ever-present mom for many physical tasks but can more than fend for herself from an intelligence perspective. It’s this intellect and curiosity that leads her to peel back a loosely adhered medication label and thus unravel a much deeper and darker mystery at the heart of her relationship with her domineering mother.
Fittingly slated to open in theaters on Mother’s Day weekend this past spring, Run is yet another 2020 release that got postponed indefinitely when the pandemic hit and found new life when a streaming service (Hulu, in this case) ponied up for the distribution rights. Unfortunately, this is a movie that benefits greatly from the experience of sitting in a darkened room with strangers whose hushed gasps and shrieks undoubtedly flavor the viewing. If theaters really are on their last legs, as many have suggested, is there anything that filmmakers can do to translate this phenomenon for audiences at home? Will studios even keep making thrillers like this in the first place? Questions like this disturb me more than anything in Run, although that isn’t a burden the film should have to carry.
In any case, the stellar acting is Run‘s strongest quality and the main area in which it distinguishes itself from the trashy Lifetime movie of the week that it could have been otherwise. Kiera Allen, who is disabled in real life, is outstanding as a smart and resourceful teenager who chooses not to define herself by her limitations. It helps to have such a cunning protagonist when we spend much of the running time working through obstacles with her in real time and Allen is more than up to the task. The film’s best scene, a lengthy setpiece in which Chloe must get from one bedroom window to another by crawling across the roof, gave me flashbacks to the famous Burj Khalifa sequence from Mission: Impossible – Ghost Protocol.
Paulson is very good as the increasingly insidious Diane, although she can practically play chilly and borderline psychotic in her sleep by this point. From her recent appearance as a sinister caregiver in Netflix’s Ratched to her role as a sinister caregiver in last year’s Glass, I’d like to see her display more range in her character choice for her next project. Similarly, the film occupies a familiar class of psychological thriller depicted in shows like HBO’s Sharp Objects and movies like Greta and Ma, although it would easily place first in a race between the three films. If it were playing at your local theater, Run might not warrant a hurried excursion but from the comfort of the couch, it should be enough to quicken one’s pulse.
Score – 3/5
New movies this weekend:
Streaming on Hulu is Happiest Season, a romantic comedy starring Kristen Stewart and Mackenzie Davis about a young woman planning to propose to her girlfriend while attending her family’s annual holiday party.
Coming to Netflix is The Christmas Chronicles 2, a holiday comedy starring Kurt Russell and Goldie Hawn about Santa teaming up again with a cynical teenager to stop a mysterious foe who threatens to cancel Christmas forever.
Opening only in theaters is The Croods: A New Age, an animated adventure starring Nicolas Cage and Emma Stone about a prehistoric family who is challenged by a rival family who claim to be better and more evolved.
Reprinted by permission of Whatzup